#Joyspring clifford brown professional

The four-CD Pacific Jazz set (which has the same music as the earlier five-Lp Mosaic box called The Complete Blue Note/Pacific Jazz Clifford Brown) begins with the first jazz recordings that Brown made. – Ira Gitler, liner note except Mosaic Records: The Complete Blue Note And Pacific Jazz Recordings of Clifford Brown #104Ĭlifford Brown, (tp), Lou Donaldson (as), Elmo Hope (p), Percy Heath (b), Philly Joe Jones (d) June 1953 Although his place in the sun lasted but a short time, his place in the musical firmament is everlasting. When the car carrying Clifford Brown, pianist Richie Powell and Powell’s wife skidded off the road and hurtled into a culvert, Brownie’s star was still in the ascendancy. ln these years Clifford Brown reinforced and further enhanced his already considerable reputation. lt was the beginning of an association between the two co-leaders that would last until that fateful June 26, two years later. Max went back to New York and hired Clifford Brown. ln the spring, promoter-deejay Gene Norman asked him to put a band together for a tour. ln time he began playing with Art Blakey and in early 1954 took part with the drummer in the famous live recording for Blue Note at Birdland.Īt the same time Max Roach had gone out to California to work with the Lighthouse All Stars in the Los Angeles area. On his return to New York in November, Brownie began freelancing. He recorded (away from the band) in Paris, Stockholm, and Copenhagen. Ln the fall, he joined Lionel Hampton‘s orchestra for a European tour that took him to France, Sweden, and Denmark. Johnson and another under his own leadership. He did the summer season that year with Tadd at an Atlantic City, New Jersey night club but also found time to do three more sessions for Blue Note one with Lou Donaldson, one with J. Clifford Brown would eventually play with both men, but first in ‘1953, he joined the nine-piece band of master arranger-composer Tadd Dameron. Gillespie had told Max Roach about him and Parker hipped Art Blakey.

ln 1951 he played briefly with Charlie Parker in Philadelphia and another giant was added to the Clifford Brown fan club. ln 1949 he sat in with Dizzy Gillespie’s orchestra and impressed Gillespie. He received a music scholarship to the University of Delaware which, ironically, had no music department.ĭuring Clifford Brown’s time at the University of Delaware he met Fats Navarro in Philadelphia and received praise from the trumpeter.

#Joyspring clifford brown professional

ln junior high school he was tutored by Robert Lowery, a former professional musician who oversaw a student jazz group. When he was 13, his father bought one for him. His father played trumpet, violin and piano as a hobby and, as a young boy, Clifford Brown was fascinated by the trumpet. Rhythmically he danced tonally he sang.Ĭlifford Brown was born in Wilmington, Delaware on October 30, 1930.

His sound is buttery when it is supposed to be, in his role as nonpareil balladeer hard and brilliant when he moves into overdrive on the up-tempo poppers. Clifford Brown’s prodigious technique is always totally integrated with the content of his playing.